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Maryanne Dever
Centre for Women's Studies and Gender Research, Monash University

'"The ability to see through bullshit": How students characterised
the vocational gains from Women's Studies (or why we need not be anxious)'.

This paper addresses the perennial question of 'what do you with Women's Studies?' Consideration of our students' post-graduation experiences in general, and their vocational aspirations in particular, would seem to be essential if we are to maintain some meaningful fit between our professed teaching and learning objectives in Women's Studies, our students' needs and aspirations, and the wider context in which important educational and vocational decisions are now being negotiated. This paper reflects on findings from a 3yr research project "Negotiating Feminist Futures: Women's Studies Students, Careers and Employment" which surveyed over 700 students across Australia, the UK and the USA on their reasons for choosing Women's Studies, their career aspirations and their understanding of the vocational potential of the knowledge and skills developed in Women's Studies. The project also involved interviews with recent graduates and with employers and careers advisers. Findings from this research project demonstrate that we probably have little to fear from inquiring into this realm and that we need to find productive ways to intervene in and hopefully transform the existing terms in which discussions about vocations, graduates and the employment outcomes take place.

Bio: Maryanne Dever is Director of the Centre for Women's Studies and Gender Research at Monash University in Melbourne, Australia. Her research on feminist pedagogy and the field of women's studies has appeared in the journals Women's Studies Quarterly, Feminist Teacher, The European Journal of Women's Studies and The Asian Journal of Women's Studies. She has also contributed chapters to 'Meeting the Challenge: Innovative Feminist Pedagogies in Action', edited by Ellen Cronan Rose and Maralee Mayberry (Routledge, 1999) and 'Women's Studies On Its Own', edited by Robyn Wiegman (Duke UP, 2002).

<Maryanne.Dever@Arts.monash.edu.au>