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SOME NOTES ON AUSTRALIAN CULTURAL STUDIES

 

Why has British Cultural Studies been so important to the development of Australian Cultural Studies?

 

 

Historical Background:

 

Origins of the Australian nation in the exclusionary concept of the ‘white race’.  Ethnic distinctions important in Britain such as Irish, Scottish, Welsh diluted in the service of building a ‘White Australia’.

 

Henry Parkes – father of federation – ‘The Crimson thread of kinship runs through us all”.

 

Rights of Indigenous and other people classified as ‘not white’ only given some recognition and respect from the late 1960s. 

 

Australian Cultural Studies from the 1970s addresses questions like: what does it mean to live in a ‘multicultural’ nation? What are challenges that reconciliation and Indigenous sovereignty pose to the idea of the nation?  What does it mean to think about Australia as ‘part of Asia’? 

 

 

Current Trends over the past decade:

 

Decline of British Empire with postcolonial independence movements by the middle of C20th and the rise of the United States as the centre of a Global Empire after the Cold War.  Parallel shift in theoretical influence from British Cultural Studies towards American Cultural Studies.

 

Example: I was ‘ideologically sound’ in the 1980s – now people are calling me ‘politically correct’. 

 

Are we now ‘beyond ideology’?   


Key Sites of Australian Cultural Studies’ Development  

 

Genealogies are as misleading for intellectual work as they are for studying personal behaviour: they can tell us nothing about where we are going, or should go, or might want to go… John Frow and Meaghan Morris (online Reading)

 

Journalist Critics – eg McKenzie Wark, Adrian Martin, Meaghan Morrris

 

Policy – debates from the late 1980s about the proper site of cultural studies theory and application.  Policy or Criticism.

 

…the very issue of choosing between policy and cultural criticism – which to write for, which to inhabit – must turn out to be a question admitting no general answer.  There are no a priori principles for choosing policy over cultural criticism.  Nor can any presumption be made about social utility and effectiveness as necessarily belonging to one or the other.  Cultural policy and cultural criticism are not hermetically sealed but are porous systems; open enough to permit transformation, incorporation and translation; fluid enough to permit a great range of practices and priorities.  – Tom O’Regan 

 

Feminism – womens’ liberation publications and second wave feminist historians introduced ‘everyday life’ as a political and theoretical focus.

‘Femocrats’ – successful women working in policy to improve the everyday lives of women in the workplace and in the home.

 

Many Australian feminists have taken the slogan “the personal is political” to mean that the resources of the state must be captured and used in the interests of transforming women’s lives by inceasing their access to social equity and power (‘changing the culture’) – Frow and Morris

 

The National – the national character as a unique preoccupation of Australian cultural studies theory and practice relative to the British case.

 

Within Australian cultural criticism it has become conventional to construct aspects of Australian life as distinctive – not of a class or of a subculture but of the nation … it is increasingly difficult to understand the ideological alignments around versions of Australian nationalism through their simple identification with either progressive or regressive effects or through their allegiance to the left or right of the political spectrum.  Nationalism can be inscribed into an extraordinary range of political and cultural positions.  – Graeme Turner

 


 

Applied Cultural Studies Theory – Australian Television

 

Britishness and the Australian Broadcasting Corporation

 

“Everyone’s ABC”? Is it?

 

Does “Britishness” mean “quality” always, sometimes or never?

 

Special Broadcasting Service – Gay Hawkins’ research on television and Chinese Australian audiences.

 

What is SBS’ cultural objective? To provide “quality” programming for distinct cultural and linguistic communities OR to provide “popular” programming to cross-over audiences? – eg Hong Kong action movies

 

Indigenous Television: A Cultural Right

 

Textual analysis of the racist stereotypes and mythologies which inform Australian understanding of Aboriginal people are revealing.  The most dense relationship is not between actual people but between white Australians and the symbols created by their predecessors.  Australians do not know and relate to Aboriginal people.  They relate to stories told by former colonists – Marcia Langton

 

Background

 

Poorly funded combination of public and private services for remote communities (Broadcasting in Remote Aboriginal Communities Scheme and Imparja) and programs within mainstream public broadcasting services (SBS and ABC)

 

Recent Developments

 

National Indigenous Media Association of Australia and Aboriginal and Torres Strait Islander Commission report Digital Dreaming recommends a national Indigenous broadcasting service be established.  Why not?