1. Telemachus
2. Nestor
3. Proteus
4. Calypso
5. Lotus Eaters
6. Hades
7. Aeolus
8. Lestrygonians
9. Scylla and Charybdis
10. Wandering Rocks
11. Sirens
12. Cyclops
13. Nausicaa
14. Oxen of the Sun

15. Circe

16. Eumaeus
17. Ithaca
18. Penelope
 
Aida Yared's Ithaca images

 

 

 

 

 

 

James Joyce's Ulysses: A Dublin Tour
17. Ithaca

     What parallel courses did Bloom and Stephen follow returning?
     Starting united both at normal walking pace from Beresford Place they followed in the order named Lower and Middle Gardiner streets and Mountjoy square, west: then, at reduced pace, each bearing left, Gardiner's place by an inadvertence as far as the farther corner of Temple street, north: then, at reduced pace with interruptions of halt, bearing right, Temple street, north, as far as Hardwicke place. Approaching, disparate, at relaxed walking pace they crossed both the circus before George's church diametrically, the chord in any circle being less than the arc which it subtends.

     Of what did the duumvirate deliberate during their itinerary?
     Music, literature, Ireland, Dublin, Paris, friendship, woman, prostitution, diet, the influence of gaslight or the light of arc and glowlamps on the growth of adjoining paraheliotropic trees, exposed corporation emergency dustbuckets, the Roman catholic church, ecclesiastical celibacy, the Irish nation, jesuit education, careers, the study of medicine, the past day, the maleficent influence of the presabbath, Stephen's collapse. (619
)

Mountjoy Square

Mountjoy Square, as Bloom and Stephen would see it coming up Gardiner Street on the west side of the road. They turn left onto Gardiner Place immediately after the Square. It's no doubt Bloom who raises the question of the influence of gaslight or the light of arc and glowlamps on the growth of adjoining paraheliotropic trees.
Mountjoy Square

Gardiner PlaceTurning left from Gardiner Street into Gardiner Place. Temple Street is the next street on the right, marked by the grey building on its corner.

Temple StreetLooking up Temple Street from Gardiner Place. The church is St George's, whose bells can be heard from the Blooms' house in Eccles Street in this chapter and "Calypso". The road describes a small arc (Hardwicke Place) around the church. On the other side of the church is Dorset Street, crossing which Bloom and Stephen will be in Eccles Street.
 
Scene: The House
Hour: 2 am
Organ: Skeleton
Art: Science
Colour: --
Symbol: Comets
Technic: Catechism (impersonal)
Correspondences:
Eurymachus: Boylan
Suitors: scruples
Bow: reason

     What final visual impression was communicated to him by the mirror?
     The optical reflection of several inverted volumes improperly arranged and not in the order of their common letters with scintillating titles on the two bookshelves opposite.

     Catalogue these books.
     Thom's Dublin Post Office Directory, 1886
     Denis Florence M'Carthy's Poetical Works (copper beechleaf bookmark at p. 5) ...
     The Child's Guide (blue cloth) ...

The Child's Guide to Knowledge was one of the great unsung bestsellers of the Victorian era. The copy below is from the 46th edition of 1872. As you can see from the pages, its format is of no slight interest for this chapter.

The Child's Guide to Knowledge: title page

 

     How did they take leave, one of the other, in separation?
     Standing perpendicular at the same door and on different sides of its base, the lines of their valedictory arms, meeting at any point and forming any angle less than the sum of two right angles.

     What sound accompanied the union of their tangent, the disunion of their (respectively) centrifugal and centripetal hands?
     The sound of the peal of the hour of the night by the chime of the bells in the church of Saint George. (656)

Ulysses Home
1: Telemachus | 2: Nestor | 3: Proteus
4: Calypso | 5: Lotus Eaters | 6: Hades | 7: Aeolus | 8: Lestrygonians | 9: Scylla and Charybdis
10: Wandering Rocks | 11: Sirens | 12: Cyclops | 13: Nausicaa | 14: Oxen of the Sun | 15: Circe
16: Eumaeus | 17: Ithaca | 18: Penelope

The contents of these pages are © 2004, Tony Thwaites, The University of Queensland, Queensland, Australia 4072

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